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Presentazione a cura di Barbara Maio&#10;&#10;

Cinema e Comics

Wonder Woman TV incarnations: contexts, images and popular culture&#10;by Fernando Gabriel Pagnoni Berns&#10;&#10;&#10;

Quando Alice preferisce tirare le bombe a mano anziché prendere un té con il bianconiglio: Il paese delle meraviglie di Sucker Punch &#10;di Elisa Rampone&#10;&#10;&#10;

‘The Complete Saga’: Southland Tales, Graphic Novels and the Challenges of Transmedia Production&#10;by Gareth James&#10;&#10;&#10;

True to The Spirit? Film, Comics, and the Problem of Adaptation&#10;di Federico Pagello&#10;&#10;&#10;

Autoreverse: FUMETTO↔FILM↔TELEFILM&#10;di Antonella Albano&#10;&#10;&#10;

With Great Budgets Comes Great Responsibility &#10;by Daniel Smith&#10;&#10;&#10;&#10;

Recreating the fantasy world of Dororo. Transcoding manga into cinema&#10;by Francisco Javier López-Rodríguez&#10;&#10;&#10;

“Oh check it out! I learned the bass line from Final Fantasy II”: Scott Pilgrim vs. Geek Culture&#10;by Sean Ahern&#10;&#10;

Scott Pilgrim Vs. the World as Postmodern Parody of Parody: Allusion, Exclusion, and Consumption in the Film Adaptation&#10;by Erin Hollis&#10;

Hypervisualizing English?: ‘Reading’ the Subtext and Supertext in Scott Pilgrim vs. &#10;The World.&#10;by Anjali Pandey&#10;&#10;&#10;&#10;